top of page
Post: Blog2_Post

San Lorenzo Fuori Le Mura - Sunday, Third Week of Lent

Updated: Mar 9



A view of the church's entrance featuring a lovely portico supported by six ancient slender columns with diverse classical capitals.  The portico leads into the basilica-type structure, with the plain brick nave visible above the entrance, showcasing the architectural simplicity of this ancient pilgrimage site.

On this day we return to San Lorenzo (Saint Lawrence), one of seven pilgrimage churches of Rome, which were churches established for incoming pilgrims as "the" seven churches to visit on a pilgrimage. St. Laurence was a deacon of the church, an ally and associate to the pope, and was immensely popular in Rome. We have already visited the place of his martyrdom in the Church of San Lorenzo in Panisperna where the grill on which he was martyred is contained. San Lorenzo Fuori Le Mura is the final resting place of Saint Lawrence.


The basilica is set on a piazza at a very wide intersection of Via Tiburtina just north-east of the Termini train station. Originally located, as the name suggests "outside the walls" it is located on the site of ancient catacombs. The land use has been unchanged for centuries and currently the "Communal Monumental Cemetery of Campo Verano" occupies the space surrounding the church. It seems likely that Saint Lawrence was buried in the catacombs beyond the walls, and a church erected over his burial place.


The church itself is fronted with a lovely portico, leading into a basilica type church. The plain brick nave of the church is visible over the portico; before WWII this facade was beautiful decorated with images of saints between the windows and an image of Christ in a mandorla in the central position. In July of 1943, however, the church was heavily damaged, and these images were not replaced.


A black and white historical photograph capturing the severe structural damage to the basilica following a World War II bombing.  The roof and upper facade of the nave have collapsed, leaving the timber rafters exposed and a large pile of rubble in the foreground.  To the right, the Romanesque bell tower and its clock remain intact, while the left side of the frame shows the characteristic cypress trees of the surrounding Campo Verano cemetery.

Once inside the visitor is met with a beautiful cosmatesque floor contains beautiful porphyry stones and rich greens. Above, the timber roof creates a rich, dark feeling that is offset by the windows high in the nave. Overall, although containing dark elements, the church is very open and airy.


A wide perspective from the nave looking toward the high altar of San Lorenzo Fuori le Mura.  The view highlights the beautiful 12th-century Cosmatesque floor with its intricate patterns of porphyry and green marble, leading the eye between rows of fluted columns toward the monumental baldacchino.  The dark timber roof above contrasts with the open and airy feeling created by the high nave windows.

About two thirds down the nave there is an arch that breaks the flow of the ceiling separating the area of the altar from the main portion of the nave. The mosaics over this arch depict Pope Pelagius I (Pope, 556-561) presenting a model of the church that he built - this church - to Christ. He is accompanied by St. Laurence and other saints, who are helpfully named in the mosaics.


A detailed view of the 6th-century mosaics on the inner side of the triumphal arch.  The central figure of Christ is flanked by Saint Peter, Saint Paul, and Saint Lawrence, while Pope Pelagius II—distinguished by a square halo—is shown on the far left presenting a model of the church to Christ.  The figures are set against a gold background and helpfully labeled with Latin inscriptions.

Past the dividing arch, the floor splits, the top half continuing the space of the church, and the lower half leads to the crypt and the burial place of St. Laurence.


A view past the dividing arch where the floor splits, showing the high altar crowned by an elegant marble baldacchino supported by four porphyry columns.  Directly below the altar, a central opening leads to the lower level or crypt, marking the final resting place of Saint Lawrence and showcasing the unique "layered" vertical layout of the sanctuary.

This ancient church contains much to be admired, especially to followers of the immensely popular St. Laurence. Whether you are a history enthusiast, a devout pilgrim, or simply a curious traveler, a visit to San Lorenzo Fuori le Mura promises an enriching experience.


--




-----

P.S. Ever get confused by the inscriptions you see in Rome?


I created a free, 1-page "5-Minute Decoder" that unlocks 90% of the phrases you'll see on monuments. It's the perfect tool to go from a tourist to an insider.



Comments

Rated 0 out of 5 stars.
No ratings yet

Add a rating

Be sure to follow Latin Rocks on Facebook and Instagram

  • Facebook
  • Instagram

©2019 by Latin Rocks. Proudly created with Wix.com

bottom of page